{As an item of interest to the reader, the following,
which was at the end of this edition, is included.
Only the advertisement for the same author is included}.
By the same author
Rivers to the Sea
"There is hardly another American woman-poet whose poetry is generally
known and loved like that of Sara Teasdale. `Rivers to the Sea',
her latest volume of lyrics, possesses the delicacy of imagery,
the inward illumination, the high vision that characterize the poetry
that will endure the test of time." -- `Review of Reviews'.
"`Rivers to the Sea' is a book of sheer delight. . . . Her touch
turns everything to song." -- Edward J. Wheeler, in `Current Opinion'.
"Sara Teasdale's lyrics have the clarity, the precision,
the grace and fragrance of flowers." -- Harriet Monroe, in `Poetry'.
"Sara Teasdale has a genius for the song, for the perfect lyric,
in which the words seem to have fallen into place without art or effort."
-- Louis Untermeyer, in `The Chicago Evening Post'.
"`Rivers to the Sea' is the best book of pure lyrics
that has appeared in English since A. E. Housman's `A Shropshire Lad'."
-- William Marion Reedy, in `The Mirror'.
"`Rivers to the Sea' is the most beautiful book of pure lyrics
that has come to my hand in years." -- `Los Angeles Graphic'.
"Sara Teasdale sings about love better than any other contemporary
American poet." -- `The Boston Transcript'.
"`Rivers to the Sea' is the most charming volume of poetry that has appeared
on either side of the Atlantic in a score of years." -- `St. Louis Republic'.
Sara Teasdale (1884-1933):
Teasdale was born in St. Louis, Missouri, where she attended a school
that was founded by the grandfather of another great poet from St. Louis --
T. S. Eliot. She later associated herself more with New York City.
Her first book of poems was "Sonnets to Duse" (1907),
[at least one poem in the current volume, "Faults", is from this book,]
but "Helen of Troy" (1911) was the true launch of her career,
followed by "Rivers to the Sea" (1915), "Love Songs" (1917),
"Flame and Shadow" (1920) and more. Her final volume, "Strange Victory",
is considered by many to be predictive of her suicide in 1933.
